Perfect Creature takes place in "a world not unlike our own", a Victorian-look place where vampires
and humans co-exist peacefully. For 300 years the vampires have existed, the result of a freak
genetic mutation that affects only males.
The vampires rule as a kind of benign clergy, taking control of science and learning, and banning others
from practising "alchemy". They blame bad alchemists for all of the plagues that ravage the human
population. Smallpox, influenza, and other virulent plagues take millions of lives each year, especially
amongst the poor.
In the slums of Jamestown life is particularly hard. There are workhouses, and a thriving black market
in influenza vaccines. When one of the Brothers goes on a killing spree it's Lilly (Saffron Burrows) who
leads a team of policemen assigned to bring him in. Edgar (Leo Gregory) is said to be the first
vampire to turn rogue and to commit homicide since the species emerged. The Brotherhood are keen
to keep news of his crimes contained, lest the human population turn on them.
Silas (Dougray Scott) is sent by the Brotherhood to track down his brother, Edgar. Silas believes
his brother is sick, but Edgar doesn't see things that way and he has his own plans for
Jamestown.
This is a striking movie, with its neo-Gothic aesthetic which contrasts starkly with the filth and
desolation of the slums. Glenn Standring has managed to include many of the images that we tend
to associate with Victorian and Georgian life, including the moustachioed prize-fighter, airships, and
strait-jackets and other grim paraphernalia of the asylum. The colours are predominantly black and
grey or washed-out hues, with the occasional vivid, messy smear of crimson blood.
Perfect Creature
is undeniably distinctive to look at, but it's worth watching for more than its visuals, or even for its
gory action.
This is an intelligent movie with various layers of meaning, encompassing elements of several
genres. There's steampunk and horror of course, but it's also a detective story and a romance, with
elements of science fiction with regard to the vampires' origins. It's also something of a
metaphor for the inequalities of class and our political systems. The Brotherhood is a ruling
élite, a theocracy that thrives on propaganda and lies. The story hints at the corruption
and injustice that lurks beneath the surface of their extremely hierarchical society.
This film features a strong cast, and Scott Wills puts in a notably intense performance as Lilly's
protective colleague, Jones. Edgar, Silas and Lilly are all well-rounded, compelling characters, and
Standring has created a story that's likely to live on in our imaginations. If only more vampire
movies were as novel and multi-layered as this one.
4/5
Review © Rosalind Jackson